
CAST & CREW
Eligio Meléndez
Eligio Meléndez is a Mexican film, theater and television director and actor, born on June 20, 1950, in Mexico City. He studied at the Andrés Soler Acting Institute, with the renowned Luis Gimeno, Carlos Ancira, Miguel Círcega and Soledad Ruíz as teachers. One of the most recognized personalities in theater, the actor has participated in more than 30 works, including The Flower of the Heart, Borges with Music, The Enchanted Mirror, The Old Men, Trufaldino Servant of Two Patrons, Mexican Entremeses, Mexico Pachuco, Soldado Razo, among others. In film, Eligio made his debut in the film Perseguida (1991), and then built an interesting and lucrative career with roles in films such as The Colonel Doesn't Have Anyone Write to Him (1999), In the Country of Nothing Happens (2000), for which that he would receive his first Ariel nomination; Perfume of violets (2001), Amar te duele (2002), Curandero (2005), The last one and we leave (2009), Hidalgo – The untold story (2010), Yerbamala (2014) and Dream in another language (2017) , for which he was nominated, for the second time, for an Ariel award.
FILMOGRAPHY
The Dead GirlsGedeón Céspedes
DreamsFernando's Father
Border HuntersEzekiel
An Unknown EnemyFidel Velázquez
Aztec Batman: Clash of EmpiresViejo Guerrero (voice)
El CandidatoJulio de Velasco
The ImpostorPadre Camilo Fernández
CeciliaTV series
ConsueloCarlos Portillo (Padre)
Love HurtsMartin
New OrderRolando
I Dream in Another LanguageEvaristo
Sex, Shame and Tears 2Old Man
El colapsoRomán
Tragic JungleMundo
La CivilQuique
The Great SeductionSimón
El Día de la UniónAchichincle
Guardia GarcíaRodolfo Silva
Hidalgo: la historia jamás contadaAscanio
The Virgin of LustDon Nemesio
Violet Perfume: Nobody Hears YouPadrastro de Yessica
Curvas peligrosasMovie
The Compass Is Carried by the Dead ManAdulto
No One Writes to the ColonelSotero
DesechosArturo
The Day Everything ChangedFausto (Cantinero)
The Reasons of the HeartLawyer
One for the RoadBirthday Girl's Father
In The Country Where Nothing HappensDon Jacinto